Archive for the 'Practicing' Category

Jan 24 2010

Getting Back Into Gear

Been Distracted:

If you have followed Guitar Musings in the past, you have probably stopped reading the blog because there hasn’t been a post in months.  This has been for a number of reasons; some personal and others professional. Anyway, I’m trying to get myself back on track;  with my playing and my writing.  

Surround Yourself:

I have found that, even though I play for many hours, I don’t practice.  I’m just noodling on the guitar but not learning or polishing my craft.  Some of that has to do with me being a bit lazy/uninspired and not knowing what to do.  That is why I signed up for lessons with a local teacher and am completely excited for my first lesson.  I have heard great entrepreneurs say that if you want to keep the energy of your new venture going, surround yourself with other entrepreneurs.   Doing this will keep the energy up and you will be more likely to succeed.  I’m doing the same by surrounding myself with other guitar players.  Just the thought of playing on a regular basis has gotten my creative juices flowing.  I can’t wait.

Are you surrounding yourself with other players to keep you going?  Reading this blog or going to a guitar related forum isn’t the same.  We need to have the contact of other musicians.  Whether it’s a lesson, jamming with friends or just going to a concert, try feeding your guitar soul a bit and the music will begin to flow.

One response so far

Jan 19 2009

Sweet Spot

Published by Larry under Practicing, Resources

Quick Tip:

Find a place in your home with decent acoustics.  The most popular places are bathrooms but my favorite is a small hallway between my kitchen and dining room.  Once you find a good spot, just play.  It would be a good idea to have your guitar strapped on so you can walk around to find the “sweet spot.”   You will know when you hit that spot because the sound of the guitar suddenly surrounds you.  There, you have a place to provide real time feedback on your playing.  A wonderful practice tool, as well as an experience.  Try this from time to time, not only to critique your playing but to enjoy it as well. 

What I suggest isn’t anything new but can be forgotten, especially when we can plug in to an amp at almost anytime.  Give being truly unplugged a shot and here your instrument’s true sound.

3 responses so far

Nov 22 2008

Top 5 Mistakes Made When Learning a Song

Published by Larry under Misc Rants, Practicing

I’ve had many successes and failures in learning a new song on my guitar.  I don’t necessarily have a set procedure when learning a piece.  It depends on how much I like the song and/or how difficult it is.  I do make mistakes in my routine and in trying to address this, I have compiled a list of my top five.  All of these tend to create bad habits that impair my ability to learn and put the whole thing together into a successful performance. 

Top 5 Mistakes:

  1. I don’t sight read the whole piece when initially getting to know the song.  This keeps me from getting the full picture and I tend to have trouble putting it all together. I can’t tell you how many songs I learned where all I could perform was the first minute or so.
  2. Try to play it at full tempo too soon.  This tends to create mistakes or bad habits like poor fingering or timing issues.  I’m getting better at playing slower tempos and then working my way up but still “fall off the wagon” every once in a while.
  3. I don’t give it a rest when needed.  I get so obsessed with the song, I think the more I practice, the faster I learn and the better it will be.  I have found that the opposite can be true. Sometimes stepping away for a day or two gives me a fresh perspective and I tend to play the piece better when coming back.
  4. I focus on the “fun” or challenging parts or a piece but neglect the rest. The result is that I might be able to play certain parts well but the rest of the piece is sub par and in turn, the performance suffers.
  5. I don’t warm up properly.  I sometimes jump into the song without any warming up which can result in me playing like crap.  This is especially true when the song is technically difficult.

3 responses so far

Oct 30 2008

Tab vs. Standard Notation

Published by Larry under Practicing, Theory


I’ve witnessed and participated in many “Tab Vs. Standard Notation” debates.  I’ve heard the “purists” call tab a “crutch” where you will never learn the piece completely without standard notation.  While the the other side will argue that tab opens a door to a ton of music to those who did not get formal training.   The arguments go on and on and there will never be a right or wrong answer.  All I can give you is my testimonial of sorts.

I’ve been working on a piece that I’ve toyed around with for years but was never really comfortable with it.  I learned the it using tab and a recording that came with the songbook.  At first glance, the piece appears to be easy learn but it has to be played at a fairly high tempo (200bpm) so frustration began to kick in.  No matter how much I practiced it never sounded or felt right.

So what did I do?  I decided to look at the standard notation part of the transcription and noticed something that the tab doesn’t show.  I was not separating the melody with the bass line completely.  In short, my index and middle were playing notes my thumb was supposed to be playing.  The result of this mistake was the melody was getting muddied up with notes that weren’t supposed to be there.  So I made my thumb do it’s job and the song began to fell better; there is now a clear separation between melody and the bass line.  Only problem is that I now have to re-learn a bit a of the song to un-learn some of the bad habits I developed.   A small price to pay to get it right.

What’s better? Tab or standard notation?  For me, it’s both.  I can learn a song much faster using tab but the musicality comes out using the standard notation.  The separation of voices, dynamics subtle nuances that only standard notation can provide.  Tab is ideal with the help of standard notation but if you can read music well, then there is no need for tab, theoretically.  So maybe the edge goes to standard but that takes nothing away from tab because I owe of ton of my repertoire to tab.

One response so far

Oct 24 2008

The Big Red Button

I would like to introduce Hercules Castro as a new guest writer for Guitar Musings. Hercules and I grew up and learned the guitar together. I know you will enjoy his insights on the guitar and making music.

Meet My Friend

I’d like to talk about my good friend, the big red button. By this, I mean the Record button. Now, I’m not talking about recording in the sense of producing CDs, videos or demos. That comes later. For now, I’m talking more along the lines of creating a progress report.

In the Beginning

When I was a young lad, one of my favorite things to do was plug my amp into a dual cassette recorder with a mic input, play anything, record it, then take the tape to school to generally irritate all of my friends. Later, I figured out if I took the tape and put it in the other deck, recorded its contents onto another blank tape with a drum machine plugged in and going, I could multi-track. After I repeated the process with multiple guitar tracks and a borrowed bass, the line noise had built up so much that you could barely hear the instruments. Plus, it was a one shot deal per recording so I learned to either live with the occasional mistake, or just don’t make mistakes. But I had a recording that not only captured a song idea for later use, but also a small snapshot in the development of my technique.

Monitor Your Progress

Now I’ll shift gears for a second. One thing that I find as I practice is that day to day, I never get better. It’s like a body builder who lifts, looks in the mirror, and sees no change. This can be very discouraging. But one thing that body builders are encouraged to do is have pictures taken of themselves periodically during their development. Over time, the changes are more noticeable. The same is true with playing and developing technique. This is why I highly recommend getting a big red button.

Resources are Everywhere

These days, with a computer in every home and a plethora of affordable recording hardware and software, there is no excuse not to push the big red button every now and then. That is, except for one; nerves. Very few things, save for live performance, can bring sweat to palms like knowing that the button has been pushed and it’s time to do your thing. Just remember this; it’s just you and the button. The button doesn’t judge, it just captures. You be the judge. But you have to put something down to judge.

Mistakes are OK

Also with most systems, along with a big red button comes a big Delete button. There’s no shame in using the big Delete button. You want to capture your best effort at that time, so don’t be afraid to try again and again and again until it’s as good as you can get it. If you can’t get it as good as you want it, step away from the button, work it out, come back, and push the button again.

It Gets Easier

The two things that I’m thankful for after years of using the big red button are, one, that I have something to listen to and say “Wow, I actually have progressed since then!”, or “That’s an area I’m still not happy with, I should focus on that”. The other is that I’ve become proficient and confident enough with the recording process that I can create real projects, make my own CDs inexpensively and on my terms, and help others with their projects.

So like The Chemical Brothers say “Don’t hold back, the time has come to galvanize, push the button”.

Links:

www.herculescastro.com  (Home page of our guest writer)

2 responses so far

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