Guitar Musings

“This is acoustic music, in your face…” is the introduction on the first track on Tommy Emmanuel’s  “Live, Center Stage” CD1.  Was that a prediction or a warning?  Either way, Tommy didn’t disappoint with his 2nd live double CD set in three years.

Highlights:

• The Mix:  Every song on CD1 was engineered to perfection.  From Tommy’s playing to the just the right mix of crow noise makes you feel like your there at times.
• Nine Pound Hammer:  Great improv solo much like Guitar Boogie.  At one point, Tommy is playing guitar with one hand a moving baseline on the other.   Oh yeah, he’s singing on top of all that.
• And So it Goes:  Beautiful arrangement of a timeless Billy Joel song.  This performance just might bring a tear to ones eye.
• I Go to Rio:  Just love that he plays this.  It’s partially because I performed this in Jr. High choir and he does an awesome job with it.
• Beatles Medley:  Not the best one that I’ve heard but it’s still worth mentioning.  He does like to mix it up so this version had “Here Comes the Sun”, “When I’m Sixty Four”, “Day Tripper” and “Lady Madonna.”

No “lowlights” that I could find.  Some of the Tommy detractors might not enjoy some of the rhythmic montages that Tommy has been known to get into.  I believe he goes into a three or so minute rhythmic trance during Mombasa.  If you don’t already have it, get it.  If you’re still wondering and waiting, my thoughts on CD2 will posted soon.

In a previous post, I did a review of Bruce Cockburn’s performance at the Swallow Hill Folk and Roots Festival last March.  I also posted my report to CockburnProject.net and found an interesting addition to my review by someone called Audrey.   Audrey had some really good “inside” information regarding the circumstances surrounding Bruce’s performance.  Apparently, Bruce’s normal stage crew wasn’t there to set his rig and so there was a bunch of “fiddling” around trying to figure out what was wrong and Bruce’s in ear monitor was also on the fritz.    Plus, with the long delay Bruce had to keep focused because there was a curfew and if they went over that curfew, there would be fines.   Therefore the reason why Bruce wasn’t engaging the audience like I mentions.   Anyway, thanks to Audrey for shedding some light on the situation and knowing what I know now, I’m even more grateful for Bruce’s performance.  He could have thrown in the towel and just showed up but he still played a great show.  THANKS Bruce!

Good news for all of us TE fans out there!  A new live 2 CD set, “Center Stage,”  is set to be released April 29th.   Recorded October 2007 in California, “Center Stage” is a compilation of 3 nights recording and the word is that there is a HD DVD coming in the following.   According to CDP, some previously un-recorded songs will be featured like “Ruby Eyes.”

Certified Guitar Player is pre-selling “Center Stage” for $15.95.  I’ve already placed my order, have you?

After a long night of great music at the Swallow Hill Folk and Roots Festival in Denver, Bruce Cockburn was the last to play.  We had quite a long wait after Nanci Griffith’s set, probably about 45 minutes.  Good thing the emcee’s Harry Tuft, Mollie O’Brien and Rich Moore had quite a few songs in the repertoire to keep us entertained.  But we were ready for Bruce and he was finally on stage, just him 3 guitars and a mic.

The show started off a bit tough because the mix was a bit hot and Bruce even mentioned it and asked for the mix to be turned down a bit.  A few songs in, the mix was pretty much dialed in and we were on our way.  As always Bruce’s playing was spot on and that thumb never quits.  Had some great solos on “Stolen Land” and “If a Tree Falls” and surprised me with “Kit Carson” and “Trouble with Normal.   Ended the night with “Rouler sa Bosse” and “Tie Me at the Crossroads.” 

Great show by Bruce, one of the better shows that I have seen him do.  The only thing that was different about Bruce, this time was that he didn’t really converse with the crowd all that much.  He would respond to some of the comments the audience made but wouldn’t offer anything on his own like he usually does.  So sometimes there was an awkward silence when he was tuning or switching guitars.  Maybe because of the long delay before he went on, bad day, etc…  Who knows?  Either way, his performance was awesome and he never fails to deliver.

Set List

1. Last Night of the World
2. See You Tomorrow
3. Lovers in a Dangerous Time
4. Pacing the Cage (wow!)
5. Trouble With Normal
6. Stolen Land
7. Kit Carson
8. Put it in Your Heart
9. If a Tree Falls
10. Wondering Where the Lions Are

Encore:

1. Rouler Sa Boss
2. Tie Me at the Crossroads

Other Bruce Cockburn Concerts I have reviewed:

1. 7.22.03  Boulder Theatre  – Boulder, Colorado (First time I saw Bruce Live)
2. 10.30.05 Gothic Theatre – Denver, Colorado (solo)
3. 8.17.06 Chautauqua Auditorium - Boulder, Colorado (Sarah Harmer, opening act)
4. 8.18.06 Denver Botanic Gardens (Sarah Harmer, opening act)

* I also was at the the November 12, 2003 show at the Paramount Theatre in Denver but didn’t leave submit a review.  Should-of though because he did a version of “Stolen Land” on electric guitar that was amazing.  I remember thinking that he was channeling the spirit of Jimi Hendrix during that song

Last night, I attended the Swallow Hill Folk and Roots Music Festival at the Ellie Caulkins Opera House in Denver.  To be honest, the only reason why I bought tickets was to see Bruce Cockburn but I got so much more.   The show started at six and we got almost  6 hours of top quality folk music from southern spirituals to Australian indigenous music.  To top it off, it was all staged in the Ellie Caulkins Opera House that, by far, was one of the best venues I have visited.  The acoustics and mix of the music was amazing.

The show was emcee’ d by Harry Tuft(Swallow Hill Founder), Mollie O’Brien and Rich Moore.  Between each set they would perform one or two classic fold song to help pass the time.  I was really impressed by the guitar playing of Tuft and Moore, they both played together but it seemed as if it was one instrument.  The collaboration of their guitars were inspiring.  Moore was the nice surprise with his blues fingerstyle licks all over the fingerboard.  He more than once got the crowd going with his playing.

Other Acts:

• Souther Journey, featuring Emily Morgan Bates and Marta Burton:

Morgan Bate’s voice filled the hall with her voice with old time southern spirituals like “Wade in the Water.”  It was a great start to a wonderful evening.

• Fifth World:

Mix Australian didgeridoo playing with Native American flute and rhythm, you have Fifth World.  First time I ever heard them and I’m getting their CD now.  The rhythms of the didgeridoo and the calmness of the flute was intoxicating and I wanted more.  If you like good mood music with a cosmic feel, check them out.

• Santa Cruz River Band

A three piece band from Arizona playing traditional Mexican music with the and Arizona flair.  Tight rhythms and perfect harmonies during their set and thy topped it off playing one of my favorites, “Volver, Volver.”  I’m a sentimental fool, that song reminds me of my grandma.

• Dakota Blonde

Yet another first time listen and I will definitely get their CD.  There were so many things I could go on about them but what got my attention was the mandolin play of Ernie Martinez.  Worthy to note was their rendition of Men at Work’s “Man Down Under.”  I Highly recommend a listen.

• Steppin’ In It & Rachel Davis

These guys (and gal) totally surprised me.  Wasn’t sure to what to expect but they didn’t disappoint.  High energy Jazz in the spirit of the 30’s and 40’s, they got the crowd rocking.  Two brothers in the band were Andy and Joe Wilson and it was fun to watch them.  They would switch between instruments in the middle of the song and I’m not just talking 1 or 2 but three or four.  From fiddle, resonator, trombone, trumpet, harmonica and even a flute, they played each instrument like it was their main one.  A pleasure to hear.

• Nanci Griffith

A legend in her own right, Nanci Griffith was nothing short of magnificent.  Her beautiful voice resonated through out the hall and I was hooked.  She played for about an hour and her energy was infectious.  She chatted with the audience and told stories just like a true folk musician should.  

• Bruce Cockburn

Bruce was great but you will get a more detailed description of his set in my next post.

I have to say that the Swallow Hill Folk and Roots Festival was worth every penny that I paid for my tickets.  Swallow hill needs to be congratulated for bringing such a talented group of musicians to Denver last night.  Swallow Hill Music association is a hidden jem in not only Denver but all of Colorado.  I encourage you to check out their site at http://www.swallowhill.com/.